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Get Free Ebook , by Neil S. Plakcy

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Get Free Ebook , by Neil S. Plakcy

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, by Neil S. Plakcy

, by Neil S. Plakcy


, by Neil S. Plakcy


Get Free Ebook , by Neil S. Plakcy

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, by Neil S. Plakcy

Product details

File Size: 668 KB

Print Length: 320 pages

Simultaneous Device Usage: Unlimited

Publisher: MLR Press,LLC (August 3, 2011)

Publication Date: August 3, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005FZN61U

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Amazon Best Sellers Rank:

#1,005,507 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

The Mahu seriesBy Neil PlakcyFive starsEarlier this year for Prism Book Alliance I wrote about Joseph Hansen’s epic series from the 1970s and 80s, the Dave Brandstetter mysteries. Those books were an essential part of the formation of my gay identity as a twenty-something back in the day. Purchased at the Oscar Wilde Bookstore in Greenwich Village, the Brandstetter books also helped shape my taste in gay literature, which has been a personal specialty of mine for nearly four decades.Brandstetter was a man of my parents’ generation, and the ways in which he handled his gay identity were, in terms of contemporary popular literature, revolutionary. No shame, no fear, only an unshaken sense of justice and belief in his personal moral compass. These books will always hold a key place in the history of gay writing as well as in detective fiction.I’m going to propose that Neil Plakcy’s “Mahu” series—what we could call the Kimo Kanapa’aka mysteries—hold an equally important place in 21st-century gay pop literature. I would even place them, in terms of importance, ahead of the Adrien English series by Josh Lanyon, simply because Neil Plakcy uses his own name and is known in his professional circles (college professor) for these books. For all that it is ubiquitous in m/m literature circles, for me pseudonyms will always bring with them all sorts of unpleasant historical associations with shame and fear of retribution. Gore Vidal was raked over the public coals for publishing “The City and the Pillar” in 1948. But he survived and became an icon (albeit a cranky icon) of gay identity and gay literature.As I tried to think back through all seven books (so far) in Neil Plakcy’s “Mahu” series, I realized that before I started reviewing m/m romances on Amazon and then Goodreads, I wrote what were essentially email mash notes to the authors. Neil was one of the authors who responded warmly to my emails, teaching me the value of writing to authors and (eventually) the importance of writing reviews of every book I read. The chief joy of the internet for me is that we become agents in the success of authors we love.What captivated me immediately with Kimo Kanapa’aka’s story were two things: his evolving ambivalence about being gay, and the crucial importance in his life of his mixed-race extended Hawai’ian family. In the first book, “Mahu,” we see a closeted Honolulu detective, regretful of his absent love life and fearful of what might happen if the other policemen were to learn his secret. I will drop a bit of a spoiler here—but an unavoidable one—to tell you that the crux of this book, other than the murder itself, is that Kimo has to out himself in order to solve the case. It is this painful and terrifying personal choice that launches the rest of the series, and made me fall in love with this smart, thoughtful, sexy Hawai’ian cop.Kimo represents the ironic dichotomy of the generation of gay men who could be my sons. In a world where awareness of all things gay is a thousand percent greater than it was in my youth, the ability to control the unveiling of your gay identity is diminished, while many of the anxieties with which coming out is fraught are no less terrifying than they were for my generation. Plakcy evokes this poignantly in “Mahu,” and continues to unpack these issues throughout the rest of the series.The word “Mahu,” repeated in five of the seven titles so far, is a very specific Hawai’ian word that refers to a third gender. It can be used disparagingly or as a badge of pride, as is the word “queer” today. It also seems to have something of the essence of the mainland Native American concept of “two spirit.” This is just one of the pleasures of this series related to the setting. Plakcy, who lived in Hawai’i for a number of years, makes this American-yet-not-quite-like-the-rest-of-it island state an enormously important part of the story. It is the nature of Hawaii, with its contrasts of beauty and ugliness, its sense of paradise in danger, that colors Kimo’s story and makes the reader yearn to visit (or, in my case, visit again). Just as the Brandstetter mysteries were all about Los Angeles, the “Mahu” series is very much rooted in its place.In the third book in the series, “Mahu Fire,” Kimo meets Mike Ricchardi, half Italian and half Korean. With kindred ambivalence about his sexuality and his family, Mike becomes an increasingly important player in the narrative arc as each book progresses. I don’t want to reveal either the mystery plots or the complexities of Mike and Kimo’s relationship; but it important to start with “Mahu” and read the books sequentially. In fact the books can stand alone, but they’re more interesting as the large picture of gay life and family life in Hawai’i becomes increasingly complex and rich. The Hawai’ian word “ohana” is important in these books—the idea of family as more than blood kin, emphasizing community, loyalty and unconditional support.I think, once Prism publishes this, I’m going to post it on all of the books’ Amazon and Goodreads pages: “Mahu,” “Mahu Vice,” “Mahu Surfer,” “Mahu Fire,” “Mahu Blood,” “Natural Predators” and “Zero Break.” There are some completely unmerited negative reviews of Plakcy’s writing by people who clearly devalue the very things that make them special in the world of gay lit.There’s no accounting for bad reviews and ignorant writers. The internet gives us the power to change things for the writers we love.

I really enjoy the Mahu series. The writer is not quite as fluent as, say, James Patterson, but the errors or 'clunky' sections are generally small and few. The stories are good, but the characters are what really set it apart, in my opinion. Detective novels are a dime-a-dozen, but Plakcy gives us a gay detective who manages to sidestep both the gay stereotypes and the detective stereotypes while remaining a character who feels very real and three-dimensional. I like that Kimo is sexual in a realistic way; his sexuality is present without being overbearing or too graphic. The other characters in the series are also very interesting; Kimo's brothers and parents, his friends, his occasional partners both on the job and in the bedroom. They all have histories and motivations that make them feel like normal people. Even the more stereotypically flouncy gay characters, like a hairdresser friend or Gunter, Kimo's gay second-hand-man, have more depth than many of the primary characters in other 'gay' novels I've read.I just wish it was easier to deduce the order of the series; give the books numbers or something so I know the order in which to read them.

You will never go wrong with a "Mahu" themed book from Neil Plakcy. I've bought everything in the series and have loved each book. The characters, the development of those characters across the series, the pacing, plotting, and the description of locations along with insights into the local culture all work together for a satisfying mystery experience. I can say nothing critical about his work. This author has another series that is a bit racier. This one deals with a pair of bodyguards who work in exotic locations around the Mediterranean, including Northern Africa, Southern France, and Corsica. If you like erotica, and I unapologetically do, Plakcy has written and/or edited collections of MM erotica so hot the pages threaten to self-ignite. Add to all this information the fact Plakcy is an Ivy-educated man who studied writing at (PENN) and business at Columbia (MBA), then earned an MFA in Creative writing at a small Florida institution, and you realize you have one obviously smart, clearly gifted fellow writing for your personal entertainment.

A really fun read. Plakcy's stories are always enjoyable. I am planning to read the other books in this series.

This author writes in a way that is easy to relate to for every reader. He tells an interesting story in a gentle loving way.

Very talented writer with good character development of a gay cop in Honolulu.. Lots of action and intrigue. I would recommend all of his books.

This story is typical of Planky. It is fast paced and fun. I hope he keeps adding to this series. I would rate it a 10 out of 10.mike beery, author of Getting It.

This is a great series of books. Easy to read and really hold your interest. Great to see a 'normal' gay character.

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