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Review

“Exposes the sinister complexity of American racism …“King tells this … story with grace and sensitivity, and his narrative never flags. His mastery of the materials is complete.” —New York Times Book Review“Chilling...Truth oftentimes beggars belief, and the "true" in "true crime" can be a promise that betrays as much as it entices. Not so with Gilbert King's scorching, compelling, and — unfortunately — still entirely relevant new work.”—NPR “Remarkable… Beneath a Ruthless Sun is multiple books in one – a gripping true-crime narrative, a deeply wrenching story of American bigotry and corruption, and an inspiring tale of heroes fired by love and righteous fury… King reminds us of its not-so-distant history as a stronghold of Southern racism and bigotry, a state that produced both horrific violence and courageous protest.”—Christian Science Monitor   “Timely and important.”—New York Times“Pulitzer Prize winner King returns with a new nonfiction story for those craving a Serial-esque fix… King provides a glimpse into the past that is equal parts enlightening, frustrating, and invariably un-put-downable.”  —Harper's Bazaar“A true-crime masterwork.” —Men’s Journal“A first-rate crime thriller, built on shocking plot twists and vivid characters … This extraordinary book’s story might have begun more than half a century ago, but it isn’t history.”  —Tampa Bay Times“Prepare to read Beneath a Ruthless Sun more than once — several stories are woven through this meticulously-researched nonfiction account of how justice cheated 19-year-old Jesse Daniels… [King’s] style is gentle but insistent. It’s laid out cleanly, with precision and without condemnation...And there lies the secret to the power behind King’s books: Truth. He speaks truth to a community that has kept its lips pursed together for the last 60 years, and we know it.” —Orlando Sentinel“A powerful page-turner.” —Garden & Gun“A book for true-crime aficionados as well as anyone interested in criminal justice reform.. .King delves into a complicated rape case that is rife with corruption, and in doing so, he shines a light on issues of sex, race, and class.” —Bustle“Tense and stunning...[Beneath a Ruthless Sun's] taut focus on a single case also shines a light onto larger issues of racial profiling, police corruption and the condition of Florida’s mental institutions.” —Book Page“The perversions of justice under Jim Crow chart a devious path in this labyrinthine true crime saga… Packed with riveting characters and startling twists, King’s narrative unfolds like a Southern gothic noir probing the recesses of a poisoned society.” —Publisher's Weekly (starred)“A spellbinding true story of racism, privilege, and official corruption...By turns sobering, frightening, and thrilling, this meticulous account of the power and tenacity of officially sanctioned racism recalls a dark era that America is still struggling to leave behind.” —Kirkus Reviews (starred) “This book is every bit as gripping as the author’s Pulitzer-winning Devil in the Grove...Gripping history, vividly told.” —Booklist (starred)“Compelling, insightful and important, Gilbert King exposes the corruption of racial bigotry and animus that shadows a community, a state and a nation.  A fascinating examination of an injustice story all too familiar and still largely ignored, an engaging and essential read.” —Bryan Stevenson, author of Just Mercy  "In the tradition of Harper Lee, Gilbert King tells the story of a small southern town corrupted by racism, a perverse genteel honor, and utter disdain for poor “crackers.”  Three women stand out in this gripping tale of a falsely accused man: an unrelenting reporter, a mother, and a victim doubly victimized as a pawn of others’ ambitions.  In deftly unraveling a tragic mixture of lies, violence, and hatred, King powerfully reminds us how the unpalatable beliefs of 1957 haunt us still." —Nancy Isenberg, author of White Trash“Gilbert King’s stunning chronicle of race, sex and power in fatal combination yields so many truly tragic turns that it’s almost uncanny when goodness endures. With breakneck drama and cold clarity, Beneath a Ruthless Sun captures the sultry particulars of a uniquely charged place and time as well as a universal truth about how difficult it is for humans in the aggregate to do the right thing.” —Diane McWhorter, Pulitzer Prize-winning author of Carry Me Home: Birmingham, Alabama—the Climactic Battle of the Civil Rights Revolution Praise for Devil in the Grove:"Must read, cannot put down history." –The New York Times"A taut, intensely readable narrative." –Boston Globe"A powerful and well-told drama of Southern injustice." –The Chicago Tribune

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About the Author

Gilbert King was awarded the 2013 Pulitzer Prize in Nonfiction for The Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America, which was also a New York Times bestseller and a finalist for the Dayton Literary Peace Prize. A featured contributor to Smithsonian magazine and The Marshall Project, King also writes about justice for The New York Times and The Washington Post. He lives in New York City.

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Product details

Paperback: 432 pages

Publisher: Riverhead Books; Reprint edition (April 23, 2019)

Language: English

ISBN-10: 0399183426

ISBN-13: 978-0399183423

Product Dimensions:

5.5 x 1.1 x 8.2 inches

Shipping Weight: 12.5 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

63 customer reviews

Amazon Best Sellers Rank:

#1,050,023 in Books (See Top 100 in Books)

Mable Norris Reese (Chesley) was my grandmother and I grew up with Jesse's story being a part of my family history. As a young girl, I met Jesse and "Aunt" Pearl when he was released from Chattahoochee and spent time with them before they moved to Green Cove Springs. Even with all that they had been through, they were the kindest, sweetest people I knew.After reading Gilbert's book, I'm horrified (but not surprised) at how much more there was to the story - I can certainly understand why my family would have censored so many things when talking to a young child. I still get chills thinking about how much my grandmother, grandfather, mom, Jesse, Aunt Pearl and Richard Graham went through to get Jesse's freedom.My grandmother would have been honored to have her story told by such a skilled and determined researcher and compelling storyteller as Gilbert King.

I read the entire book on the day it was published. Gilbert King did lengthy research and structured the story to keep the reader captivated. He made the scenes and people come alive ;it is a portrait of the worst in human nature and also the best.As a former southerner I remember the racism and prejudice which sickened me during those decades and therefore I can imagine the truth in this dark story.It’s a story with villains, heroes and innocents. I am glad that the author brought this story to light.I highly recommend this book.

There are a couple of important story threads in BENEATH A RUTHLESS SUN.However let's start at the beginning. Blanche Knowles, citrus baron Joe Knowles's wife, is raped in 1957, a Jim Crow year. She says it was a bushy-haired black manWillis McCall, the virulent racist sheriff of Lake County, Floridas rounds up every black man he can find. The two main suspects are Sam Wiley Odom, whose main crime seems to be his uppity attitude and Bubba Hawkins who happens to be related to Virgil W. Hawkins who had the audacity to apply to law school at the University of Florida.Then matters change. A white, mentally retarded man, Jesse Daniels, is arrested and promptly confesses, although he insists to his mother, his lawyers and everyone else he knows, he didn't do it. Now, why would a racist sheriff, who has gone so far as to murder black suspects, charge a white man with a crime the woman says a black man committed? She later changes her story, insisting it was so dark in the room she couldn't be sure who did it, but she identifies Jesse's voice. Remember the old saying, “Nothing is as it seems.”Jesse avoids a trial by being found mentally incompetent to stand trial, and he is sent to Chattahoochee, the Florida insane asylum where he spends fourteen years, lumped in with violent criminals since he was charged with rape. Jesse's mother and just about everybody else he knows insists he wouldn't even know how to commit rape, nor would he hurt a fly.Pearl Daniels finds a confidant in Newspaperwoman, Mabel Norris Reese who spends the next fourteen years trying to get Jesse out of Chattahoochee. She has evidence he didn't do it, but McCall and his henchman, county attorney, Gordon G. Odom Jr. won't even let Blanche see her son.So . . . will Jesse ever get out? Will Willis McCall ever pay for his murderous behavior. I have to say I wanted to see him skinned alive, boiled in oil, and drawn and quartered. This is not a novel; this stuff actually happened. Willis McCall made Bull Conner look like Mary Poppins.Oh, yeah, there's one more ingredient in this mud hole. Joe Knowles was a known ladies man. How does that enter into the picture and why did Blanche insist a white man raped her when she knew that wasn't true? These questions will keep you turning pages.

If this book does not make you angry, nothing will. One really needs to go back and read the first book about this lawless lawman and the havoc he brought on anyone that got in his way. Murder In The Grove is the first book and I am still loaning it out to friends that have not read it yet. Beneath A Ruthless Sun picks up the story of how one corrupt sheriff ran an entire county and literally got away with murder. This book and the one before it provides an interesting look at what can happen when good people do nothing.

Fascinating book that kept me turning the pages. And the astonishing thing is that the story is true! The outrageous behavior of above-the-law Sheriff Willis McCall kept reminding me of the notorious (and recently pardoned) Sheriff Joe Arpaio. Arpaio doesn't seem to have been a multiple murderer, like McCall, but he was another example of the public official who thinks he isn't governed by the law. And (also like McCall) who keeps getting re-elected by racist voters. The twists and turns of the narrative will keep you up past your bedtime. And may give you nightmares.

Beneath a Ruthless Sun is incredibly well-written. King expertly exposes another dark secret about race driven corruption in Lake County, Florida, and our hearts reach out to those victimized by McCall and Oldham, among others.If happy endings are lacking in this story, we can take comfort in the knowledge that history is more accurately told, and so those who may have “gotten away with it” will now be remembered for their cruelty and wrong doings versus the hero’s they claimed to be thanks to King’s effort.I highly recommend this book to readers of both fiction and nonfiction of justice, race, Florida’s history, heroic journalism, history of mental institutions, and anyone seeking the truth about Florida’s corruption, and those who fought against it.

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PDF Download Merlin Mission Collection: Books 9-16

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Listening Length: 10 hours and 56 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Listening Library

Audible.com Release Date: May 2, 2017

Language: English, English

ASIN: B06XX2RV36

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Free PDF Glamify Your Goal: Challenge Yourself to Achieve One Epic Goal in Just Ninety Days (Workbook and Planner Inside)

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About the Author

Roseanne Baker is a certified life coach and author of the goal setting workbook and planner Glamify Your Goal (Challenge Yourself to Achieve One Epic Goal in Just Ninety Days). She is on a mission to help women create massive change in their lives. She helps them power up their mindset, boost their productivity, supercharge their motivation and believe in themselves and their ability to achieve things that are beyond their wildest imagination. Her goal is to design a movement for women to take action on their dreams and goals all throughout the year and not just around the new years.

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Product details

Paperback: 216 pages

Publisher: Roseanne Baker; First edition (August 10, 2017)

Language: English

ISBN-10: 0692915540

ISBN-13: 978-0692915547

Product Dimensions:

8 x 0.5 x 10 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,853,055 in Books (See Top 100 in Books)

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Product details

File Size: 628 KB

Print Length: 52 pages

Page Numbers Source ISBN: 1728782813

Simultaneous Device Usage: Unlimited

Publication Date: October 8, 2018

Language: English

ASIN: B07J63WQCP

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Amazon Best Sellers Rank:

#272,553 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Girl, buy this book. There is no reason that every woman in the world shouldn’t read this book. It was absolutely incredible. I feel like I identified with a Rachel Hollis to a tee, we had so much in common and so much of what I feel/believe was written in this book. It was sad, empowering, encouraging, heart wrenching- overall just amazing. I look forward to her podcast each week amd refer backt to the book often for inspiration!!!One person found this helpful

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Ebook When Mom Dies: A Daughter's Unique Guide to Help Heal Grieving Hearts Today

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Review

5.0 out of 5 stars It Works Years Later September 10, 2014By Victoria L. LawsonFormat:Kindle Edition|Verified PurchaseEXCELLENT QUICK READ!!! My mother passed a few years ago so I know you don't want to read a long how-to book on grieving your mom. This book was on point, precise and concise !!! It left you feeling like you not only could go on but wanted to. GREAT JOB MS. STERLING!!We daughters thank you!!

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About the Author

Dackeyia Q. Sterling is a former Hollywood literary agent and talent manager. She got her start writing in Mrs. Armstrong's 2nd grade class in Vallejo, CA. From those early poem-writing days to her professional career launch at National Public Radio (NPR) in Washington, D.C., this author, journalist, entrepreneur, wife, Mom and speaker keeps churning out great work that inspires and empowers readers. Her newest book, WHEN MOM DIES, is a quick-read title that delivers love, strength and compassion to any and everyone who is coping with the loss of their Mother. Written from the personal experience of losing her Mother, who recently passed away at the tender age of 62 -- while holding the author's hand, Sterling empathetically shares practical tips and guidance to help heal grieving hearts today.

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Product details

Paperback: 62 pages

Publisher: CreateSpace Independent Publishing Platform (September 5, 2014)

Language: English

ISBN-10: 1500990795

ISBN-13: 978-1500990794

Product Dimensions:

6 x 0.1 x 9 inches

Shipping Weight: 5.1 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#545,062 in Books (See Top 100 in Books)

I have not been in the best of health for the last couple of years and so I decided to purchase this book for my daughter who I am very close to. I'm leaving it here in my house for her do that she can find the strength and courage to go on. I read the book and realized that I found it helpful to myself reminding me of the day my Mother passed on. It is a book that every women should have available to them because loosing our Mothers is one of the most painful thing that we must go through. I just love how the Writer opened her heart to share her own vulnerable feelings and experiences and her words of encouragement will surely help others to feel her live and compassion for others as they go through that same kind of loss. Great reading!

This was my life saver those first few weeks, it is easily read, to the point, very relevant in how it feels. I felt like she was writing this for me! I put notes and dates in my kindle version of this so I can go through it again and check on any progress I've made, or different feelings at anytime. If I met this Author in person, I'd just want to hug her and say Thank you, thank you, thank you...God Blessed me through you.

This is a very quick and helpful read for tough times. I wish I had this book 47 years ago! Maybe if I did, I wouldn't have struggled so much, but at 19 with a father who never addressed our grieving process, let alone his own, there never was true recovery for me until this past year. This is a book that can be read over and over whenever needed.

This book was far overpriced for something that took me about 20-30 minutes to read. Not really the supportive guide I was expecting. Felt like more of a short, extremely brief commiseration.

Havent Started reading Yet im pretty sure after my moms funeral friday 12/9 i will read it after i just wish it was more pages

I give three stars because it was encouraging but I need more details about the recovery. It does encourage me to find other ways to help me through my daily struggles a little more.

Helpful.

This book had a great beginning but its more like a pamphlet than a book. Not worth 12 dollars.

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When Mom Dies: A Daughter's Unique Guide to Help Heal Grieving Hearts Today PDF

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Review

“Controversial, well written, and convincing, this is historical analysis at its most invigorating.” ―Minneapolis Star-Tribune“Schivelbusch is a brilliant cultural historian . . . who brings a comparative cultural focus to the 1930s with fascinating and provocative ideas.” ―Los Angeles Times Book Review“Illuminating.” ―Bloomberg News“A feast of ideas, many of them strikingly appropriate to our own bellicose times.” ―San Francisco Chronicle on The Culture of Defeat“Fresh and provocative . . . A novel and thought-provoking book.” ―Houston Chronicle on The Culture of Defeat

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About the Author

Wolfgang Schivelbusch is an independent scholar who divides his time between New York and Berlin. His books include The Railway Journey, Disenchanted Night, and Tastes of Paradise.

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Product details

Paperback: 258 pages

Publisher: Picador Paper; 1st edition (November 27, 2007)

Language: English

ISBN-10: 0312427433

ISBN-13: 978-0312427436

Product Dimensions:

5.5 x 0.6 x 8.5 inches

Shipping Weight: 14.1 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#494,470 in Books (See Top 100 in Books)

This book, a brief work of cultural history, outlines four parallel aspects of three political systems: the American New Deal, Italian Fascism, and German Nazism. The point of "Three New Deals" is that these political systems shared core similarities in certain programmatic manifestations. The author, Wolfgang Schivelbusch, fortunately does not claim that the three systems were essentially the same. He offers, instead, a discussion of the interplay between the governed and the governors in each of these systems—how each shaped the other, in ways that can be compared and contrasted across systems. The result is a book of modest interest from which, perhaps, something more can be spun.While cultural history is interesting, my purpose is not to examine "Three New Deals" as a view on the past, but as an onramp to the future. What applicable lessons, what tools, can we learn from this look at the troubled 1930s, when, like now, liberal democracy seemed like a dying system? By lessons, I do not mean pedagogical lessons, helping us to get liberal democracy back on track, since I don’t want to get it back on track. I mean how can what worked then to build mass support for political systems be used today to the same effect? Certainly, if the New Deal is not disqualified from polite society by its parallels to true Fascism and to Nazism, there is no particular reason a fourth, future, polity with the same parallels should be disqualified.I really need a name for this political program that I am constructing. It is, of course a reactionary program—in my usual phrase, “a new thing informed by the wisdom of the past.” Generically, I refer to it as Reaction, but that is neither evocative nor adequately precise. That will not catch fire. In part, the problem is that it’s hard to name a program that is not an ideology, but rather a set of principles based on history and human nature, which does not promise utopia, or guarantee happiness or universal justice, but merely offers living within the truth, and maximum possibility for human flourishing. “Restorationism,” a related term, is too backward looking for my purposes; the past is gone, which is a key principle of mine, and anyway not all elements of any past were wholly desirable. I am struggling to come up with something good. Neo-Realism? If you have an idea, let me know.But let’s parse the book. Schivelbusch makes clear his own angle from the book’s epigraph, a quote from David Hume: “As force is always on the side of the governed, the governors have nothing to support them but opinion. It is, therefore, on opinion that the government is founded; and this maxim extends to the most despotic and the most military governments as well as to the most free and popular.” We can forgive Hume his delusion that force is “always on the side of the governed”; he lived far away from Oriental despotism and long before both the modern totalitarian state and our own Cthulhu state. But his major point is insightful—that public opinion matters to any government. (In addition to public opinion, what he called “opinion of interest,” Hume was also talking about legitimacy, or what he called “opinion of right.” They are related, but not the same.) One necessary conclusion is that the support of the public is essential for the stability of any government, and its ability to fulfil its program, and the more support, the better. This is, no doubt, why Schivelbusch chose this epigraph, for the rest of his book discusses how public opinion was shaped by the the three regimes that are the subject of his study.The critical importance of public opinion in all times and places isn’t news, of course, and has little or nothing to do with democracy. José Ortega y Gasset pointed out that force, even in the modern world, followed public opinion. Julius Caesar and Augustus both were keenly aware of the need to keep public opinion, both aristocratic and plebian, in their corner. Such examples could be multiplied endlessly through the centuries. The trick, therefore, for those in charge is how to shape and shift that public opinion, rather than being tossed about by it. Such an effort is like the martial art of aikido—if you use your opponent’s own motions, but redirect them, it is a lot easier to win than by simply trying to overwhelm one force with another. In the same way, it is easier to create channels for public opinion and thereby lead and direct the flow in the desired direction, within the limits set by the opinion itself, which will vary in time and place. How to carve those channels, in four different ways, is the topic of the rest of Three New Deals.Schivelbusch begins with “Leadership.” While Roosevelt is now, as viewed through the prism of World War II, seen as the antithesis of Hitler and Mussolini, in the early 1930s all three were perceived as charismatic leaders outside the established system, who stood apart from the traditional ruling class and built a “direct emotional connection with the masses.” “Commentators freely noted areas of convergence among the New Deal, Fascism, and National Socialism. All three were considered postliberal state-capitalist or state-socialist systems, more closely related to one another than to classic Anglo-French liberalism. Hitler, Mussolini, and Roosevelt were seen as examples of plebiscite-based leadership: autocrats who came to power via varying but thoroughly legal means.”The mechanisms for, and therefore the impact of, this emotional connection to leadership were different: Hitler used the mass rally; Roosevelt the radio, “yet both were collective experiences.” Schivelbusch points out that the perception we have from speech excerpts of Hitler simply ranting is wrong; his speeches started and ended calmly, in a deliberate structure, and were regarded at the time as incredibly effective, just like Roosevelt’s “fireside chats”—especially at making the listener feel like he was being directly addressed. Both were carefully constructed and honed for maximum impact by the men who delivered them, who had a gift for oratory. Yes, it’s difficult to compare the two, in part because radios were much more common in American homes and, obviously, radio lacked the mass drama created by Hitler’s staging and a surrounding crowd (Schivelbusch naturally cites Gustave Le Bon). “Yet in both cases, the end result was similar. The individual abandoned [himself] fully to the speaker. . . .”So now we have our first necessary element in a modern program: a charismatic leader in the same mold, that is, one having this direct emotional connection with individuals while actually addressing them en masse. Modern exemplars are thin on the ground; no Western modern politician has had any element of this charisma. Barack Obama was puffed as a great orator; we can ignore whether that’s actually true, but note without dispute, I think, that charisma does not derive from positive reception by people who already agree with you. I doubt if anybody at all was ever convinced of anything by an Obama speech; his oratory was purely designed for the faithful. And, of course, like all modern politicians, it wasn’t his oratory at all—he read, word-for-word, speeches written for him by others. I’m pretty sure it’s impossible to create a “direct emotional connection” that way. Donald Trump may be good at the rabble rousing speech, and he is more extemporaneous, but his speeches are hardly honed, and he is also preaching mostly to the choir. Trump may be charismatic, but he is far too undisciplined to be this type of leader.Arguably, the rise of such a man is more difficult than in the past, simply because collectively addressing the masses requires them to pay attention, and people have so many different ways to spend their time, and money to satisfy their tastes. This is exacerbated by the atomization of society and the destruction of intermediary institutions, which, for good and bad, can impose pressure on their members to participate collectively. It’s not clear to me that in the present dispensation any charismatic leader could get traction—say, approval by 85% of people. In any case, it seems to me such a man must spring up full grown, like Athena from the head of Zeus. We will not wake up one day with Ted Cruz or Gavin Newsom as Maximum Leader. If such a man does arrive, we will know it—again, for good or bad. For my purposes, therefore, there is nothing to do to hasten this tool for implementation of the program.Schivelbusch next turns to “Propaganda,” “the means by which charismatic leadership, circumventing intermediary social and political institutions like parliaments, parties, and interest groups, gains direct hold upon the masses.” As he points out, World War I led to the massive use of extremely aggressive propaganda by the United States government. All successful propagandists, though, start by grasping what public opinion is, along with where it is trending, and then reinforce what are perceived as desirable opinions, or “illuminate the people if those trends lead nowhere,” in the words of Joseph Goebbels that Schivelbusch quotes. While the general form of propaganda was similar, the New Deal government, unlike the Third Reich, did not have propaganda directed from a central ministry. Instead, it had coherent propaganda diffused through multiple departments, responding to direction from Roosevelt. And American propaganda relied on cooperation, which it got, from the press, sometimes helped along by pressure, rather than direct coercion, although the Nazis did not often have to use coercion either.Beyond direct narrative propaganda of the obvious sort, the role of symbols was extremely important. Schivelbusch contrasts the successful Nazi use of symbolism (in part derived from Communist use of symbols) with the insistence upon strict rationality by their Social Democratic opponents. He gives the example of how the SD failed to push the powerful design by Sergei Chakotin of the “Anti-Fascist Circle,” three downward pointing arrows. (This symbol is still used by the so-called Antifa. That’s a topic beyond today, but it is interesting that Schivelbusch notes the quote attributed to Huey Long, “When America gets Fascism it will call it Anti-Fascism.”) Not that Schivelbusch thinks the SD could have won with more skillful propaganda; his claim is that “Propaganda works best in the service of a movement that is already on the rise, and its most effective moment comes in periods of crisis and revolution, when a fading regime is losing its potency and the nation’s will is as yet undecided.” No doubt Carl Schmitt would have had much to say on this.One equivalent in New Deal America was the Blue Eagle of the NRA (not the good one, rather the “National Recovery Administration”). This was the central symbol of an extremely aggressive, though relatively brief, campaign by the Roosevelt administration to force “voluntary” price and wage controls, through identifying by display of the symbol those people who were good and those who were bad, and thereby creating a snowball of psychological compulsion. The head of the NRA, Hugh Johnson, called for social ostracism and boycotts of those not participating, though he didn’t call it a boycott. Rather, merchants not participating went out of business because “The public simply cannot tolerate non-compliance with their plan.” Thus, the Blue Eagle was a classic form of what Schivelbusch calls the “symbolism of compliance.” Its equivalent in Germany was the use of “Heil Hitler,” display of swastika flags, and so forth. Its equivalent today is “Resist” and “I’m With Her” stickers, yard posters lying that “Hate Has No Home Here,” or signs in shop windows saying “Workers of the World, Unite” or “This Business Serves Everybody.”The purpose of all 1930s propaganda, narrative or symbolic, was to create the psychology of “voluntary compulsion.” It was not a substitute for actual political programs, which were offered and repeated in detail, but were given punch by symbolism. “What captivated the public imagination was not any particular project and its chances for success but the emotional charge of how such projects were presented.”So what does this imply for my program? It implies, for one, that modern “movement” conservatives are functionally worthless. (Sorry to my friends in the conservative movement.) Ideas may have consequences, but theirs don’t, because the masses aren’t listening, and they’re not going to wake up one day, realize what they’re missing, and rush to consume journals of opinion or YouTube videos with 324 views. The conservative movement does have uses—for example, building Rod Dreher’s Benedict Option can be done through such a movement and its publications. By definition, the Benedict Option is not a mass movement (though the government, with the support of the masses, if they are not turned by an angel with a flaming sword, or a man with an AR-15, will crush the Benedict Option, as I have said before and I will shortly expand upon). But good propaganda has exactly zero traction on the intellectual Right today (though “MAGA” does have some pull). It has somewhat more traction on the Left, but, really, not much by historical standards.Perhaps, in any case, propaganda’s effect is lessened today for the same reason that charismatic leaders cannot get the focused attention of the masses, and modern symbols of compliance often feel washed out —there is a lot of competition for eyeballs. I’m not sure what an effective propaganda campaign would look like; the only ones we have today are facile ones that ask of people nothing other than costless virtue signaling. Certainly, such virtue signaling is not costless for others, like orthodox Christian bakers, and such propaganda does have a real impact on the masses, but it seems to me there is little of the visceral, or any “emotional charge,” about it. One moment a flash of contempt for the Christian, who dares deny that “Love is Love is Love” is a profound truth; the next moment it is forgotten as Netflix offers a smorgasbord of cotton candy for the brain. For any propaganda to be successful in catching the vast majority of people and pushing them in a particular direction, good symbolism or no, it would have to be tied to some focusing event, jarring people out of their lives of ease and comfort to think for themselves again. If grabbed at that moment, let’s say at the same time the charismatic leader seizes the day, then we are well on our way to rerouting public opinion through our new channels.I will also note in passing, and keep discussion for another day (sorry I keep doing that), that good propaganda requires good creative ability. In the post-war era, creative types tend to be left-wing. Certainly, artists have not historically been left-wing; this is a wholly modern phenomenon, the basis and future of which bear examination. But as I say, not today. I also note that one necessary lesson from this discussion of leadership and propaganda is how rapidly the consensus represented by public opinion can shift. Public opinion is like a counter-weighted elevator; it seems like it would take an enormous effort to shift its direction, but it is so balanced that small changes reverse it entirely, multiplying the impact of both leadership and propaganda.Up next, Schivelbusch covers “Back to the Land.” Nationalism, in the sense of a classless community of the nation; and its cousin, autarky, get a brief treatment. Of course, the community of the nation has its enemies; in America, those were the “money changers” blamed by Roosevelt (not an anti-Semitic reference) and the supposed war profiteers. The governments in all three countries explored forms of regionalism and autarkic back-to-the-soil movements, in part a reaction to economic depression and resulting unemployment in cities, in part a form of re-enchantment and retreat to a supposedly more virtuous, primordial way of life, a type of “organic authenticity.” In the United States, this led to a lot of talk, and the construction of the abortive Arthurdale planned community in West Virginia. The Germans also nattered a lot about “settlements” (Siedlungen), but those never went much of anywhere inside Germany (still, it seems to me, though Schivelbusch does not mention it, that these same concepts must have underlain the plans for German repopulation of the “new lands to the East,” after the inconvenient Untermenschen had been seen off). Schivelbusch does not see these “back to the land” movements as a failure, however—he sees them as an integral and successful element of the overall propaganda effort of both the American and German regimes.My program is not going to have any back-to-the-land component. While there is something to be said for keeping farming as a possible occupation simply for nostalgia, modern agriculture doesn’t need family farms, nor does farming offer anything that catches and channels public opinion. Neo-Realism, or whatever we are calling it, will not offer price supports to farmers. It will not allow factory farming, either, though—allowing fat people to hoover up huge quantities of cheap fried meat is antithetical to human flourishing, and while animals have no rights at all, it is our duty to treat them, to exercise our dominion over them, in a moral fashion, which factory farming does not. But the days of working the soil for any significant portion of the population are over, and there is nothing inherently more virtuous about farming than any other occupation—though, certainly, total detachment from nature is not desirable, so there will be plenty of parks, national and otherwise.Finally, Schivelbusch turns to “Public Works.” Mussolini finally gets some mention (he is mostly missing from the first three topics). Here we return to neoclassical monumentalism, which, let’s be honest, impresses everybody. You are lying if you think Le Corbusier holds a candle to, say, the Jefferson Memorial. Classic architecture is classic for a reason. “Scholars gradually recognized neoclassical monumentalism—whether of the 1930s, the Renaissance, the French Revolution, or the Napoleonic empire—for what it is: the architectural style in which the state visually manifests power and authority.” In Washington, D.C., “most of the large neoclassical buildings associated with the city today were built between 1933 and 1939.” Similar projects were undertaken elsewhere. True, there are limits to this. The monstrous proportions of buildings proposed, but never built, by Hitler and Stalin take this arc too far, becoming anti-human and enshrining the state as a false god (the Amazon series "The Man in the High Castle" portrays many of these buildings as if-built; this reality comes through clearly).But buildings are only a small part of it; a government desiring to create a new thing must offer a broad range of public works that embody a unifying philosophy and create a unifying effect. Mussolini drained the Pontine Marshes and constructed therein new cities, “three-dimensional representations of the Fascist ideals of organization, control, and the absence of urban chaos.” The struggle to tame nature gave Fascism an epic tale that fit with charismatic leadership and propaganda; a masculine battle against disorder. In America, the equivalent, with less bluster but on a grander scale, was projects like the Tennessee Valley Authority (also used to extend the reach of the federal government beyond traditional limits). The Germans had the autobahn.[Review completes as first comment.]

Schivelbusch is an excellent analyst of political culture. He compares Roosevelt's new deal with Mussolini's Fascism and Hitler's National Socialism. The book is not a smear of Roosevelt, but rather an examination of how the prevailing political ideals of rationality and organization were implemented in the three countries. There is also thoughtful analysis of the use of media, radio in the US and rallies in Europe.

This is a truly brilliant book. It highlights the fact that political and economic crises often produce similar results, specifically a centralization of state power. Some people may not like this book because it suggests similarities between Roosevelt's New Deal and Fascism. However, the point here is not to suggest Roosevelt was racist or antisemitic (a totally idiotic notion) but to focus on the much larger issue of the use of state power in a crisis. The book has important lessons for the future. The current world order is doing a very poor job is dealing with deadly threats like the global environmental crisis. In a new series of world crises there is likely to be a huge centralization of power. Albert Speer once observed that when fascism comes back, it will come back as anti-fascism. The larger issue here is totalitarianism and its potential role in the world future.

If you want to know how completely corrupt FDR was, read this book.SEE what they planned for us. Extremely well written and documented. You should read if you want to know what the New Deal meant for our folks and for their children... yeah, you and me.

This book was obviously the predecessor to Jonah Goldman's best selling 'Liberal Fascism.' This is a quick study of reviewing governmental trends in the early 20th Century in response to post-WWI problems and the Depression.My only criticism is the minimal coverage of Mussolini's corporate state that was actually the blueprint for Hitler's programs and Roosevelt's New Deal. Mainly the comparisons are between Germany and the United States.This book could have also been longer with a more in depth review of these three societies. For a more in depth analogy albeit more politically-biased review, I would recommend 'Liberal Fascism.'

This book read well and had useful information; however, it was just the tip of the iceberg. The book was simply too short. The parallels between Roosevelt, Hitler, and Mussolini are clearly made. If that was the only premise of the book, then the author was very successful. But he could have had an expanded ambition and illustrated how the other was more successful.

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About the Author

John M. Samson is an expert crossword puzzle constructor and editor. His crosswords have been published in leading magazines and newspapers across the country, including The New York Times. He lives in upstate New York. John’s favorite published crossword is his three-page centerfold for Golf Digest featuring pictures of past US Open winners. John’s puzzles have appeared in unconventional settings: on cereal boxes, a rock band’s album cover, and the side of a three-story brick building. A jigsaw puzzle for US Congress members, a crossword in the shape of the H. J. Heinz keystone logo, and another in the shape of an Absolut Vodka bottle were memorable design challenges. John has been honored to construct special birthday puzzles for Lee Iacocca, F. Lee Bailey, Ed Ruscha, Keith Hernandez, Frank Sinatra, James Stewart, and Harry Connick Jr., and framed fan letters from Stephen King and Frank Sinatra hang proudly in his upstate New York office.

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Product details

Series: S&S Mega Crossword Puzzles (Book 2)

Paperback: 336 pages

Publisher: Gallery Books (June 17, 2008)

Language: English

ISBN-10: 141655906X

ISBN-13: 978-1416559061

Product Dimensions:

8.5 x 0.9 x 11 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

41 customer reviews

Amazon Best Sellers Rank:

#49,072 in Books (See Top 100 in Books)

The paper won't suck the ink out of your pen, and the pages are perforated for easy removal, but this series -- and this issue in particular -- are not carefully edited. Series e.g.: more than once you will be required to enter "reeds" for the definition "flutes and oboes"; the flute is definitely not a reed. In this particular issue (#2), e.g.: the clue is "neighbor of Niger", four spaces for letters. No problem; Niger has two neighbors with four letter names, Chad and Mali. As I already had an "l" and an "i" the answer had to be Mali. But no, the M didn't allow me to figure out the word that crossed it. Finally, all other spaces filled, I had to check the answers, which told me the neighbor of Niger was Bali. Bali? There's no Bali in Africa, let alone a neighbor of Niger.However, you really should purchase this edition as a souvenir for this reason: puzzle number 141 has as across clue #5 "Taj Mahal builder", with the answer "Trump", and down clue #10 "5 across, notably" with the answer "firer"! N.B., this issue copyrighted 2008; this review written in 2016.

These are my favorite puzzle books, even though they contain some errors. Singular and multiple gets mixed up, foreign place names are in the wrong country or misspelled. Still, great puzzles.

My two favorite crossword books are Simon & Shuster's "Mega" and "Super". The "Super" is an oldie with very few issues still available. Both books have pen-friendly, smooth, bright white paper with nicely perforated pages. I can easily remove a few pages at a time to clamp onto a clipboard.

This is a great book size-wise, I won't run out of puzzles any time soon, but the puzzles are a little unusual compares to most; sometimes it seems like they almost make up new words. It's fine, just not your typical crosswords.

Have been Buying these Crossword Books for a few Years and Very Pleased with the Varietyof Themes and the Challenges they Impose!! There are 300 Puzzles in each Book which havelasted me for over a month for each Book. Would Highly Recommend them to Crossword Lovers!!

I especially like the perforated pages so you can tear them out of the book and work them without having to deal with the spine while writing.

wonderful crossword puzzles.

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Simon & Schuster Mega Crossword Puzzle Book #2 (S&S Mega Crossword Puzzles), by John M. Samson PDF
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Simon & Schuster Mega Crossword Puzzle Book #2 (S&S Mega Crossword Puzzles), by John M. Samson PDF

Simon & Schuster Mega Crossword Puzzle Book #2 (S&S Mega Crossword Puzzles), by John M. Samson PDF

Simon & Schuster Mega Crossword Puzzle Book #2 (S&S Mega Crossword Puzzles), by John M. Samson PDF

Simon & Schuster Mega Crossword Puzzle Book #2 (S&S Mega Crossword Puzzles), by John M. Samson PDF

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